DIScrit 89plus Tips & Tricks!

July 30th, 2013

DIScrit 89plus is on! Have you submitted and voted yet?

We’ve gotten a lot of questions – what is the purpose of art production in the situation of late capitalism? How does one navigate the thin boundary between collaboration and cooperation? What kind of criteria can be developed to evaluate the new and evolving forms of creative practice enabled by contemporary technology? But more importantly, we’ve gotten questions about the rules for DIScrit 89plus. And we have answers!

PROJECTS

You should submit three (3) projects total. One (1) of these projects must take the form of a proposal for a work to be realized in the future.

Each project can be represented with a combination of images, video, and URL. You can submit up to five (5) images, one (1) video, and one (1) URL per project.

IMAGES

All images must be JPGs under 1MB. Sorry, no .GIFs! If you want to use GIF animations, PDFs, or other unsupported file types, use the option to link to a URL containing those files.

VIDEO

You can add videos from a YouTube or Vimeo URL.

URL

The URL is optional, and allows you to represent your project in a web context. If you’re a writer, architect, or want to show work using online technology, the URL is the place to do it. Optionally, you can use the Images in your DIScrit project to show screenshots illustrating your web content.

DESCRIPTION

Tell us about your project! The description is an opportunity for you to help visitors understand your perspective and work.

CAPTIONS

Don’t forget to include a caption for each project example. Get into the details!

COLLABORATIONS

Collaborations, collectives, and duos are welcome!

GO PUBLIC

Get noticed, go public! Like, share, and tweet your profile.

AUGUST 16TH

You can edit your profile up until midnight Eastern Standard Time on August 15th.

POPULAR VOTE

One grant will be awarded by an international jury, another by the popular vote. Click + to vote for your favorite artists!

PROFILE NOT SHOWING UP?

Your birthday must fall on or after January 1, 1989. Your profile will not be visible until you have at least one project published!

BUGS

A few people were earlier unable to upload a profile picture; this issue has been fixed. If you spot bugs or are having problems with the site, let us know!

If you have more questions, email [email protected]!

Enter now or check out the artists on DIScrit 89plus!

A Conversation about Ergonomic Futures

Lafayette Anticipation associate curator Anna Colin talks to artist Tyler Coburn about Ergonomic Futures, a speculative project engaged with art, design, science, anthropology and writing. In this interview, Coburn discusses the research, production process and network of collaborators of a multilayered project ultimately concerned with the futures of humankind. Anna Colin: When one comes across your museum seats Ergonomic Futures (2016—) in contemporary art exhibitions—and soon in natural history, fine art, and anthropology museums—they look… [read more »]

November 23rd, 2016

by Tyler Coburn

nils lange + saliva : l’eau des algues

L’Eau des Algues Two alchemists already aware of each other’s Instagrams meet for the first time in a gay sauna. They are swimming; it’s the Hood By Air afterparty in Paris. They are Lukas Hofmann and Nils Amadeus Lange. Months later, they meet again. They are on the edge of yet another steaming pool; it’s the Manifesta Biennale closing event at Cabaret Voltaire. They are performing the perfume titled “L’eau des Algues.” Head notes: Zürich… [read more »]

November 21st, 2016

by DIS Magazine

Toward a Low Key Voting System Where Votes Are Actually Considered | Adrian Massey

While reading A Very Short Introduction to Game Theory, I came across the following passage, “If you want people to vote, we need to move to a more decentralized system in which every vote really does count enough to outweigh the lack of enthusiasm for voting which so many people obviously feel…Simply repeating the slogan that ‘every vote counts’ isn’t ever going to work, because it isn’t true.” I was jarred. For me, anecdotally knowing… [read more »]

November 7th, 2016

by S. Adrian Massey III

Tough Luck | Tyler Reinhard

When life is being super unfair, just do what we all do: suffer the consequences. I wake up and the first thing I do is check my phone. A convenient euphemism for using Facebook’s machine learning techniques to discover which 300 entries are statistically most likely to stand out from the tens of thousands of brain dumps my friends and family have produced over the last 48 hours. Impressed by what Facebook provides, I think… [read more »]

November 2nd, 2016

by Tyler Reinhard

America Is Hard to See: A Guide to not being depressed about US electoral politics this November

In order to make sense of state politics in the birthplace of statistical marketing and the internet, one has to be wary of the effects of these technologies on the country’s popular media. In a time when our news and advertisements are tailored to our pre-recorded political opinions, it can be especially difficult to empathize with differing political views. Likewise, learning about the histories of state politics is not encouraged by platforms that profit from… [read more »]

November 2nd, 2016

by Mohammad Salemy

On self-care and the election | Eva Saelens

We can get together and laugh about it. We can heave sighs and express disbelief, but it’s never enough. This presidential election year has lasted for years, and they sit on citizens like a slick film. We feel touched by an unshakable germ, invaded by a blood-sucker, afflicted by a social cancer, drained of the plump vitality of life and the amazing liberty of choices, and transformed into a cynical, depressed shrivel. After being touched… [read more »]

October 30th, 2016

by Eva Saelens

Swarovski Crystal Meth at National Sawdust

Swarovski Crystal Meth, a collaboration between Ser Serpas, Daniela Czenstochowski and Gia Garrison for the National Sawdust “Selkie Series” performances, curated by Alexandra Marzella. Music composed and produced by Daniela Czenstochowski Poem by Sera Serpas Sound Edit Mateo Majluf Vocals Sera Serpas, Gia Garrison and Daniela Czenstochowski All Images Olimpia Dior i went to the desert con mi mama outlet store shopping is fried onto mi conciensa, big bags, wins bigger losses fragmented lux economy… [read more »]

October 5th, 2016

by DIS Magazine

Hasbeens and Willbees Auction @ Romeo Gallery

Shop items from the most recent Hasbeens and Willbees luxury auction now! Featuring Bjarne Melgaard, Bror August, Women’s History Museum, Lou Dallas, Hermes, Gautier, and more. All photography Dillon Sachs Styling Avena Gallagher Hosted by Rome Gallery NYC

October 3rd, 2016

by DIS Magazine

NHU DUONG SS17 WORK COLLECTION FT. KARL HOLMQVIST

What is a piece of clothing that “works”? Who is working whom? Is the one who poses the one who actually “works” hardest? The S/S 2017 collection of Berlin-based, Swedish- Vietnamese designer NHU DUONG entitled ‘WORK COLLECTION’ plays with the ideas of professionalism, leisure and appropriateness through a range of garments that are inspired by work outfits and hobby uniforms. Overalls, raw denim outfits, kung-fu pyjamas, biker pants, baggy tights and gloves, bomber-jackets, bomber suits,… [read more »]

September 19th, 2016

by DIS Magazine

Preparing to Welcome the Chthulucene | Agustina Zegers

Preparing to Welcome the Chthulucene is a text made up of living exercises to accompany Haraway’s theorization of the Chthulucene and her upcoming book Staying With the Trouble: Making Kin in the Chthulucene. Haraway posits that not only should we name the Anthropocene carefully (including the terms Capitalocene and Plantationocene within its narrative) but that we should also be using this crucial ecological timeframe to move towards a dynamically multi-species, “sym-chtonic“, sym-poietic future: the Chthulucene.… [read more »]

August 29th, 2016