Lafayette Anticipation associate curator Anna Colin talks to artist Tyler Coburn about Ergonomic Futures, a speculative project engaged with art, design, science, anthropology and writing. In this interview, Coburn discusses the research, production process and network of collaborators of a multilayered project ultimately concerned with the futures of humankind. Anna Colin: When one comes across your museum seats Ergonomic Futures (2016—) in contemporary art exhibitions—and soon in natural history, fine art, and anthropology museums—they look… [read more »]
If you’re in London, don’t miss the first UK solo exhibition by French artist Camille Henrot, entitled The Pale Fox, consisting of installation work that builds on her previous film featured in the 55th Venice Biennale. Demonstrating the breadth of Henrot’s output, this exhibition comprises an architectural display system, found objects, drawing, bronze and ceramic sculpture, and digital images. The spirit of the exhibition draws its energy from multiple, heterogeneous systems of thought and mythology, interweaving Western thought with West African Dogon culture, producing an anthropologically rich environment that revolves around the ambivalent figure of the fox.
Camille Henrot (born 1978) has been awarded the Silver Lion for most promising young artist for her presentation at the 55th Venice Biennale. She lives and works in New York.
The Pale Fox is commissioned and produced in partnership with Kunsthal Charlottenborg, Copenhagen; Bétonsalon – Centre for art and research, Paris and Westfälischer Kunstverein, Münster, where the exhibition will be presented in 2014-15.
Camille Henrot | The Pale Fox
28 February – 13 April 2014
64 Chisenhale Road
London E3 5QZ