Genesis Breyer P-Orridge is one of the few living artists people call legendary without hesitation. Since the late ‘60s, the avant-garde provocateur has helmed a wildly prolific career as a groundbreaking performance artist, inventor of industrial music, writer, confrontational thinker, and “wrecker of civilization,” as deemed by Parliament upon P-Orridge’s eight-year exile from Britain in the early ‘90s. Few words are profound enough to match the astounding story of such a shapeshifting radical, someone who has,… [read more »]
In their techno-apocalyptic new video, Nguzunguzu foreshadow the ominous fate of our world with destructively danceable fervor. Recontextualizing a filmic landscape in which the last surviving element of entertainment is destruction itself, “Mecha” is as timely as it is prophetic. Directed by Jude MC, the work repurposes myriad images of contemporary sci-fi and action films and synchronizes them with spine-chilling accents of alien percussion. The enduring, doomsday-like aura of the video evokes a social commentary that speaks to the heart of our culture: in the wake of technological advancement, we destroy. And out of the debris, we repurpose.