Lafayette Anticipation associate curator Anna Colin talks to artist Tyler Coburn about Ergonomic Futures, a speculative project engaged with art, design, science, anthropology and writing. In this interview, Coburn discusses the research, production process and network of collaborators of a multilayered project ultimately concerned with the futures of humankind. Anna Colin: When one comes across your museum seats Ergonomic Futures (2016—) in contemporary art exhibitions—and soon in natural history, fine art, and anthropology museums—they look… [read more »]
In their techno-apocalyptic new video, Nguzunguzu foreshadow the ominous fate of our world with destructively danceable fervor. Recontextualizing a filmic landscape in which the last surviving element of entertainment is destruction itself, “Mecha” is as timely as it is prophetic. Directed by Jude MC, the work repurposes myriad images of contemporary sci-fi and action films and synchronizes them with spine-chilling accents of alien percussion. The enduring, doomsday-like aura of the video evokes a social commentary that speaks to the heart of our culture: in the wake of technological advancement, we destroy. And out of the debris, we repurpose.