“In post-Fordism, there exists a permanent disproportion between ‘labor time’ and the more ample ‘production time.’” — Paolo Virno1 Lights Out, Wyatt Niehaus’s first solo show, was held last Saturday evening at Retrospective Gallery, the relatively new venture between Joel Mesler and Zach Feuer (opening in January of this year). The space was filled with temporary transplants from New York City and the surrounding area, feeling like an emptied out Soho loft, a facade broken… [read more »]
In their techno-apocalyptic new video, Nguzunguzu foreshadow the ominous fate of our world with destructively danceable fervor. Recontextualizing a filmic landscape in which the last surviving element of entertainment is destruction itself, “Mecha” is as timely as it is prophetic. Directed by Jude MC, the work repurposes myriad images of contemporary sci-fi and action films and synchronizes them with spine-chilling accents of alien percussion. The enduring, doomsday-like aura of the video evokes a social commentary that speaks to the heart of our culture: in the wake of technological advancement, we destroy. And out of the debris, we repurpose.