Lafayette Anticipation associate curator Anna Colin talks to artist Tyler Coburn about Ergonomic Futures, a speculative project engaged with art, design, science, anthropology and writing. In this interview, Coburn discusses the research, production process and network of collaborators of a multilayered project ultimately concerned with the futures of humankind. Anna Colin: When one comes across your museum seats Ergonomic Futures (2016—) in contemporary art exhibitions—and soon in natural history, fine art, and anthropology museums—they look… [read more »]
In this age, voluntary isolation has become extremely precious. In the middle of no-where, we find ourselves not alone. Even in the most bio-diverse environments we live with technological culture. It is nearly impossible to persevere the anonymity of our devices. Adversely, just because friction causes heat doesn’t mean its not imperative to accept that there is no distinction and the lines between worlds must delineate. I assume the neutral point of view and use the devices of perspective.
Recently as well as in the past, people have been drinking coconut water.
— Analisa Teachworth