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Martine Rose’s Hot Half-Wits #LFW

Raise your hand if you’re a Martine Rose boy. We were taken this season by her shoplifter proportions, out of left field obsession with beer, and a realist portrayal of something we can’t quite pin down. Martine also somehow managed to sustain the relevancy of the crop top while totally demeaning the shoe.


Recent Posts

A poem by Ser Serpas

ripped apart you rip me apart collage million dead collage donde queda mi cuerpo el temporal como dios en mil partes clothing as point of impact a totem is a wrap around a city as it is engagement with one’s surroundings and engagement with that which has been worn out discarded and filtered into alms buckets and newly tagged i wear my surroundings on my feet when it wears out i see only my vantage… [read more »]

DISCREET Call for Participants

DISCREET – An Intelligence Agency for the People The 9th Berlin Biennale for Contemporary Art invites you to apply for one of fifteen spaces open to individuals interested in taking an active part in a three-week-long public workshop conceived of by Armen Avanessian and Alexander Martos for the formation and development of a civil secret service organization. Held from June 22 to July 11, 2016, the workshop brings together renegade experts from art, theory, technology,… [read more »]

Parent and Parroting | Nancy Lupo

Each year retail displays are readied in preparation for the gestation and labor of the catch-all holiday season before floating into a colorless postnatal celebration of mundane plenty. Capitalism’s sympathetic pregnancy makes for a cold and lifeless pas de deux, at times humorously inseparable from the vitality of social milestones. In Parent and Parroting, Nancy Lupo continues with a series of interventions into commercial products and industrialized food. Her interferences often reveal or reconfigure the… [read more »]

Telfar and White Castle | FW16

No ATM for time — seeking the sublime of brown. Black. White. Tonight. Back. Amen. (Excerpt from a Telfar-inspired poem by Jamie Richardson, the Vice President of White Castle. Written on a hamburger carton.) After a rabidly loud party crusade at America’s most iconic fast food chain restaurant last fall, fashion designer Telfar Clemens has become the king of White Castle once again. To celebrate the FW16 ‘Tricolor’ collection, he brought the Telfar squad back… [read more »]

The Speculative Time-Complex | Armen Avanessian & Suhail Malik

The following is an excerpt from the Introduction to the Post-Contemporary Issue to be launched in April. The issue is edited by Armen Avanessian and Suhail Malik, with contributions by Benjamin Bratton, Elena Esposito, Victoria Ivanova, Laboria Cuboniks, Aihwa Ong, David Roden, Nick Srnicek & Alex Williams. Armen Avanessian: Time is changing. We are not just living in a new time or accelerated time, but time itself — the direction of time — has changed.… [read more »]

Eckhaus Latta | A/W 2016 @ PS1

For Autumn / Winter 2016 Eckhaus Latta produced their most mature collection to date and did so without diluting many of their signature motifs, their close ties to the art world, and their resistance to stereotypes such as notions of an ideal body, rigid gender, race, or the fetishization of youth. Taking place within the VW Dome in the courtyard of PS1 MoMA rather than the more traditional venues of New York Fashion Week, Eckhaus… [read more »]

Starting everywhere, ending nowhere, spreading like wildfire: Telfar SS16

For SS16 TELFAR continued to refine and expand his core practice of taking what is most utterly normal in American style — and doubling down. The result is a speculative wardrobe for the future-present: a style-fi uncanny precisely because it’s so familiar. In this video TELFAR teams up with art-collective-cum-anime-miniseries culturesport, creating an in-world advertisement in which Telfar Clemens himself plays a young designer fighting corporate backers not only over the use of his name,… [read more »]

Asdzą́ą́ Nádleehé | Curated by Timur Si-Qin at Andrea Rosen Gallery

Organized by Timur Si-Qin at Andrea Rosen Gallery, the group exhibition Asdzą́ą́ Nádleehé (Changing Woman) is an ambitious display of varying capabilities of artistic production. In the world Si-Qin constructs, the artist is not only a regenerative creative force like the mythic namesake of the exhibition, a central figure within Navajo mythology who grows old each winter and is young again come spring, but also an architect looking at extant forms of culture in order… [read more »]

Sonic identity politics with Christine Sun Kim

The social conditioning of deaf people constitutes Christine Sun Kim’s inquiry into the anthropogenic definitions of sound. As a sound artist born without the ability to hear, Kim investigates the sonic as a form of capital, and the currencies it formats in social, cultural, and political life. A former artist-in-residency at the Whitney Museum, she has compared American Sign Language and music in TED talks and was featured in MoMA’s Greater New York, cutting through… [read more »]

DISmiss | Jennifer Moon

Jennifer Moon is in her own words an artist, adventurer and revolutionary. With the slogan “Always for the love of continuous expansion for all on this earth and beyond!” she heralds an idea of revolution based on abundance, acceptance and above all love. Yet it’s not just a matter of self-help and feelings; Moon’s mission is clear and she wants to change the current system. With four primary factions each dedicated to a pressing topic… [read more »]