“In post-Fordism, there exists a permanent disproportion between ‘labor time’ and the more ample ‘production time.’” — Paolo Virno1 Lights Out, Wyatt Niehaus’s first solo show, was held last Saturday evening at Retrospective Gallery, the relatively new venture between Joel Mesler and Zach Feuer (opening in January of this year). The space was filled with temporary transplants from New York City and the surrounding area, feeling like an emptied out Soho loft, a facade broken… [read more »]
Raise your hand if you’re a Martine Rose boy. We were taken this season by her shoplifter proportions, out of left field obsession with beer, and a realist portrayal of something we can’t quite pin down. Martine also somehow managed to sustain the relevancy of the crop top while totally demeaning the shoe.