Lafayette Anticipation associate curator Anna Colin talks to artist Tyler Coburn about Ergonomic Futures, a speculative project engaged with art, design, science, anthropology and writing. In this interview, Coburn discusses the research, production process and network of collaborators of a multilayered project ultimately concerned with the futures of humankind. Anna Colin: When one comes across your museum seats Ergonomic Futures (2016—) in contemporary art exhibitions—and soon in natural history, fine art, and anthropology museums—they look… [read more »]
Pâté is an appraisal of Kuwaiti taste. Blurring the line between fashion and artbook, Pâté explores how affluence, the West, censorship, and religion have shaped a nation’s style.
In concept, Pâté is an homage to The Better Class (by Alice Colombo), a satirical fashion and lifestyle publication created in 1974. Borrowing the structure of The Better Class, Fatima Al Qadiri and Lauren Boyle have assembled a pastiche, pairing the most unapologetic text from Western fashion writers with rare images from various fields of Kuwaiti taste such as architecture, interior design and radical makeup art. In this mash—this fashion “spread”—Pâté captures the aesthetic evolution of an Arabian Gulf state from the 1970’s to the present.