Saved to your collection: navigating SoundCloud’s subculture

Navigating the social music platform SoundCloud, scores of electronic music producers define their subjectivities with the self-referential motifs of emergent subcultures. In the late 1970s, French economist and writer Jacques Attali critiqued what he saw as the oppressive nature of the mass-produced record industry, claiming that consumers were driven to stockpile more records than they had the time to listen to. His 1977 book Noise: The Political Economy of Music argued that the music industry… [read more »]