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  • If the Body Were a Museum. There Would be Seven Galleries.
  • Emmy Skensved & Gregoire Blunt Latulippe
    Rainbowlips, 2015 | Vapor, refracted sunlight
  • Antoine Renard
    26.9815386(7), 2015 | Aluminium
  • Paul Barsch
    Homo Heidelbergensis (mirror), 2015 | 3D print
  • Caspar Jade Heinemann
    MOUTH/MOUTH, 2016 | text
  • Marian Luft
    Tropical Blue Razz * (Myth Buster), 2015 | Sweets
  • Edward Marshall Shenk |
    Untitled, 2015 | Plaque disclosing liquid
  • Pakui Hardware
    Eurecstasy | 3D print
  • Yves Scherer
    Tiger, 2016 | Plastic white tiger
  • Burkhard Beschow & Anne Fellner
    No. p, 2016 | Pasta, sugar, pearls
  • Jake Kent
    World Peace Can’t Be Done, 2016 | Silkscreened patch
  • Joey Holder
    Ki, 2016 | 1x 2SC4116SU-Y,LF NPN transistors, 1x 2SC4116SU-GR,LF NPN transistors, 1x SC-82AB temperature sensor IC, 2x 100R-5%-1/10W resistor, 1x 910K-5%-1/10W resistor, 1x 5K-1%-1/10W resistor, 2x 100uF-1206 capacitor, 1x 10uF-0603 capacitor, 1x clear-blue LED, 2x 1.55V button cell batteries, 1x DIP black male header, 1x nose LED kit PCB v1.0
  • BB5000
    True To You When I Punch You, 2016 | Laser cut alpaca and pistils
  • Bruno Zhu
    Left Nostril, 2016 | printed text
  • Antoine Donzeaud
    I Can Prove That Baby´s Not Yours, 2016 | Piercing, vinyl, plastic, anodized brass wire
  • Silas Inoue
    What the Devil Whispers Only Makes Sense if You Pay Attention, 2015 | Modified cricket, ceramic plaster and watercolor
  • Viktor Fordell
    Neocave, 2016 | Silicon, inkjet print, MDF
  • Ed Fornieles
    Bloody Friday, 2016 | PSD file
  • Christopher L G Hill
    wall, wall, wall, 2015/16 | Scrunchie, red plastic crab
  • Tilman Hornig
    Green Ear, 2015 | Acrylic paint, Hirtentäschel
  • Sol Hashemi | Decoupling Device ( Pen Blank / Work Desk ), 2015 | Glow-in-the-dark vacuum stabilized spalted maple, gorilla glue, aircraft cable, condition: vibrations
  • Martijn Hendriks
    The kitchenette was an alcove. In his parka, he filled the space entirely, turning in place, looking at things so that she would look at them too—the cupboard hanging open, the frozen explosion of clutter. No walls visible, just cardboard boxes, garbage bags stuffed with clothes, luggage. Mushrooms floating in a wok, 2016 | Bluetooth ear piece, snails, snail trails
  • Sean Raspet
    Isotope Labeled 6.5% Carbamide Peroxide Aqueous Solution 2015 - 2016 | Individual isotopic components (all isotopes present are non-radioactive): Deuterium oxide D2O (heavy water): water consisting of the 2H hydrogen isotope along with 16O common isotope of oxygen, 18O hydrogen peroxide: H218O2, 13C urea: H2N13CONH2
  • Adam Cruces
    Composition with Kabinet Würzig and Tubble Gum, 2016 | Cigarette butt, chewing gum
  • Debora Delmar Corp.
    Currency Therapy, 2016 | Mexican 10 cent coin
  • Rachel de Joode
    Prosopopoeia, 2016 | Polymer clay
  • Rasmus Høj Mygind
    Ditte, meine liebling, 2016 | Sculpture of Ditte's hair frozen inside an ice cube
  • Carson Fisk-Vittori
    Eusocial Insect Dance, Poisonous Pollen = Poisonous Honey, 2015 | Blue Orchid bees, electronic parts, honey
  • Anna Sagström
    Pig iron (life as futile, then, as frail), 2016 | Ferrofluid, iron oxide, stainless steel, NdFeB magnet
  • Enrico Sutter
    Creative Act, 2016 | VeroWhite photopolymer plus 3D print
  • Josephyne Schuster-Brandt
    Untitled, 2016 | Sprout
  • Jaakko Pallasvuo
    Divining Rod, 2016 | Bronze
  • Vincent Grunwald
    Transparency Universal Value 60Vince, 2016 | Washed paper, masked web photos
  • Clemence de la Tour du Pin
    FROG, 2015 | Myrrh, alprazolam, polyurethane foam, moroccan root
  • Bradford Kessler
    Boy, 2016 | Plastic, rock salt
  • Viktoria Dejaco
    The Cunt Coloring Book, 2016 | txt
  • Emanuel Rossetti
    Boundaries #2, 2016 | Headphones, 1h4m53s WAV File, looped
  • Fenêtreproject (Dustin Cauchi & Francesca Mangion)
    98.6 °F, 2016 | LOTR Ring of Power replica, gold-plated cast iron
  • Santiago Taccetti
    Carnitas, 2016 | Alphabet soup, KW lubricant, food color
  • Anselm Ruderisch
    Waterghost, 2016 | Ceramic
  • Jesse Darling
    3rd Eye Deepsea Buttplug, 2015 | Fimo, foam, glass, LED
  • Mikkel Carl
    Plato's Man Cave, 2015 | Keyring (banana flashlight)
  • Michele Gabriele
    FIRSTY-FISTY, 2015 | Rubber tube, chain, fake nails, polish resin, mosquitoes, insects
  • Sandra Vaka Olsen |
    Finger in Eye, 2015 | Carved and polished plexiglass, human hair eyelashes
  • Dorota Gaweda & Eglé Kulbokaité & Agatha
    4 Ai, 2015 | GRILLZ top & bottom Teeth of Fire Hiphop Bling Grillz Set, Lazer-engraving.
  • Hana Earles
    The Tightest Youngest Legal Pussy, 2015 | Fabric, pen, cotton thread, ribbon
  • Ulrich Klose
    Flute, 2016 | 3D print
  • Concept and Curation:
    Paul Barsch & Tilman Hornig
  • Co-curated by:
    Nuno Patrício, o fluxo
  • Photos: Paul Barsch & Tilman Hornig
    (except “Rainbowlips” by BLUNTxSKENSVED)
  • Title & Chapter Tags by: SLIDER ONE
  • Code: Jonathan Lucas
  • Special Thanks to:
    All Participating Artists, Writers and Volunteers, Nuno Patrício, Kay Schober, Anna Frost, Elin Gonzales, Ella Tetrault, Rao Fu, Christin Zorn, Shaun Motsi, Pierre Sidedoor, Konstanze Schütze, Charlotte Barsch, SLIDER ONE, Nelly Pistorius, Manu Shyville, Victoria Dejaco, Marian Perez, Hilary Galbreaith, Dorota & Eglé & Agatha Valkyrie Ice, Jorge Benavides, Elise Lammer, Vincent Riebeek, Kay Hügel, Martin Paul Müller, Frank Rohde, DJ Studio17, Pamela, Daniel Schramm, Burkhard & Anne, Amelie gr. Darrelmann und Saskia Hohengarten, Lauren Boyle, Solomon Chase, Marco Roso, David Toro, Ada O’Higgins, Jonathan Lucas, Matt Welch
  • © All Images produced by New Scenario for BODY HOLES, 2016 | www.newscenario.net


To set the scene: everyone is sick, as usual, but most likely do not have the plague, as usual. It was the winter we sneezed so much we stopped blessing each other because either we were essentially fine, or had slipped into purgatory without noticing, in which case it was too late anyway. You have a psychosomatic toothache you are ascribing too much history to.

‘I’m not doing it, it’s disgusting.’ ‘Listen, I’ve realised something - mouths are the huge gaping original sin hole at the start of it all. Especially the tongue part. Think about it - the reproduction of labour power, I mean. Fuck genitals, irrelevant! It’s all in that first spit exchange, saliva moving between mouths is basically the fluidity of capital, the first pheromones of gendered oppre-‘ ‘You’ve been reading too much Semiotexte-‘ ‘No, think about it, there’s that perfect first summer kiss under the stars by the lake and then before you know it you’re stuck at home with kids around your ankles, sitting at the kitchen table with a plate of toothpaste and a copy of Das Kapital, downing a bottle of Listerine and wondering where it all went wrong. Look!’

[You tuck your tongue into my incisor as if it proves your point and my eyes roll into the back of my head where they are safe and solid. The thread

tightens around your tooth, slurring your future words.] ‘ALSO the mouth is the border of two countries we’ve been taught to see as discrete, separate, inside and outside, dark and light - pure Cartesian battleground! It’s fucked up, we don’t really believe our guts exist in the same world as our words. We think they speak different languages but they don’t. I hate it. Just fucking pull the door already. No borders, no nations.’ So I do, and it works (as a tooth extraction, if not a metaphor). I watch your shitty narcissistic attempt at embodied politics drip scarlet down your chin. ‘I’m going to plant it in the garden, next to the geraniums, to prove it can thrive outside!’ You hold up a single proud magnolia molar. ‘If your mouth-‘ ‘ALL our mouths.’ ‘Okay, but if specifically YOUR mouth is a border, to root this in a subject position, who is the border control? Don’t say teeth. See? This whole analogy is offensive.’ ‘You’re the border control, obviously.’ [You lean in for another rusty kiss and my tongue runs away from the newly excavated gap.]

[Shouted from the next room:] ’I just want to say that everyone in this house has fucking awful politics, and should stop pulling teeth out to try and prove their points. A mouth is a mouth, not a fucking metaphor! And if it is a metaphor, the idea the only way to overcome the inside/outside divide is to take something from inside and put it outside clearly reproduces the object of its critique.’

[Shouted from the next next room:] ‘You can’t just make people say things because you don’t want to be accountable for what’s being said!!’

‘See, that’s your mouth talking again.’

‘At least if you pull all your teeth out and have to switch to a liquid diet there’ll be less fucking dirty plates for the rest of us to wash up.’

The Cunt Coloring Book

It´s a week before Easter. On the table there are 12 blown out eggs with a silk white loop attached, precolored in different shades of pink. Two black thick pens are lying on the table next to Tee Corinne´s Cunt Coloring Book, published first at LAST GASP of San Francisco in San Francisco in 1975. What a city San Francisco always was. Everything revolutionary came from or settled there. The beatnik writers, the Hippies, the AIDS activists. Now the city is swamped by the tech industry making it into a chic, cool, hip and very expensive suburb of Silicon Valley big earners. Community hang outs in the middle of the historically Hispanic neighborhood of Mission district making space for French Style bakeries where programmers and designers will cue around the block to get a lemon cake for 8 $.

The opening lines of the book read:

"In 1973 I set out to do drawings of women´s genitals for use in sex education groups. I wanted the drawings to be lovely and informative, to give pleasure and affirmation.I organized the drawings into a coloring book because a major way we learn to understand the world, as children, is by coloring. As adults many of us still need to learn about our external sexual anatomy. Coloring is a way for the child in each of us to revision and reclaim this portion of our bodies from which we have been estranged.

The Cunt Coloring Book, published in 1975, was immediately and wildly popular, although many people complained about the "awful" title. Three printings later, in 1981, the title was changed to Labiaflowers and the book virtually died. So much for euphemisms.

Welcome once again to the Original Cunt Coloring Book (with a few additions). May you color it with pleasure.

IN THE BEGINNING by Martha Shelley

In the beginning we come from the cunt, not from some man´s side: and we are washed in the water and blood of birth, not the spear-pierced side of some dying god. In the beginning women made pots and jars shaped like wombs and breasts, and decorated them with triangles, which were symbols of the cunt. So the first art was Cunt Art. The bones of dead were laid in jars - perhaps to speed the soul to its next womb? Did the ancient women sing, how delicate, sensitive, delicious, how strong the ring of muscle between one life and the next? There are tribal women today who sing praises of their cunts, how pretty and long and full their lips are, how the hair curls and glistens with moisture.

The drawings in this book are of real women´s cunts.

My love and thanks to the many women who participated with me in this project and to those who encouraged and counseled me. These pages are a celebration of your energy."

We read those lines feeling proud and safe and partners in crime. We know everything about our own cunts and each other´s cunt. We´ve tasted them and their blood, touched every corner of them, fell asleep cunt on cunt. We are keepers of the secrets of womanhood that also many women don´t become aware of in their lifetime. That power and responsibility to honor the heritage of women like Virginia Wolf and Judy Chicago or Tee Corinne (and a sheer endless list of millions more) starts out with knowing your cunt. Knowing how all your power lies there. Men know this as well since the beginning of mankind. That´s why rape has always been (and still is if we look at how ISIS builds its state) the most efficient method to enslave others, to break a population, to assimilate and own human life. Knowing your cunt and the life it creates. Knowing your cunt and its bond with nature. Knowing your cunt and teaching your lover about it. Teaching respect and love. Knowing your cunt holds the key to the future.