Hayley Silverman’s “Dog Plays,” an ongoing series in which a cast of untrained dogs take on the role of characters from a range of pop-culture texts, disrupt the canon of identities traditionally represented in Hollywood as they are re-inhabited by animals. Calling on artifacts ranging from Richard Linklater films, to science-fiction thrillers, to Depression-era musicals that rhapsodize class difference, these performances investigate how our understanding of narrative, authority and identity transforms when we project stories,… [read more »]
This video is an undated remix of Ukranian pop star, Evgenia Vlasova’s aptly-named, “Wind of Hope” track from 2002. A pastiche of the original video and some amazing Windows andersen 400 series kaleidoscopic beach templates (don’t quote me, I’m no screensaver connoisseur), the imagery is meant to elicit the most appropriate kind of “hope” — the default kitsch variety. The unmistakable thread lining a lot of Ukrainian pop music is that many artists are classically trained, which when translated into pop, manifests itself as hilariously un-innovative. This cross-blend of classical education and pop production is quite prominent in China and former Soviet countries. Alas, the results are excessively cheesy in a virtuosic kind of way, Evgenia can clearly hit some really high notes, but who cares? The bizarre chorus even contains a hint of early 90s Deep Forest style vocals (the kind spoken by a small tribe) transmuted into early 2000s scat. Actually, the entire song is early 90s era folk club sounding, especially at the 2:20 mark breakdown. And that fact is the most compelling feature of this song, in addition to Evgenia’s superbly awkward shoulder dance. Nothing like starting the year with a low res beach thumbnail-heavy, former Soviet bloc, post-opera, retro euro club track!