Let’s, for a moment, argue that art and politics (as we currently practise their convergent theories, and – with a secondary disclaimer – specifically in western visual art terminologies) has its roots in Italy. We’ll point out how the artists’ manifesto was the first real example of the merging of art and politics in the form of the art object, and that it was The Founding and Manifesto of Futurism (published in Bologna in 1909)… [read more »]
Ok, this is a kuduro video. There are a shitload of blog entries and articles about this genre hailing from Angola and the Angolan diaspora. Read up. I’m only discussing the video here, which is “Mama Kudi” by DJ Nays and Costuleta. The video begins with a BMW SUV pulling up on a dirt road, then all hell breaks loose. We see the requisite dancing girls, but more importantly, Costuleta—the one-legged co-producer of this track—is dancing with and without his crutches in a way that two-legged men could only dream of doing. In a variety of locations and outfits (this video is a collage of several others), Costuleta owns his disabled prowess, even adding a one-legged dancing boy (in basketball attire, no less) to make it all the more palatable. From his rippling and ripped, stone-washed jeans, we see a man possessed by life and the inescapably sick rhythm of kuduro. There’s a hilarious scene where he pretends to use his other shoe as a phone, while sliding up the floor. He repeats this gesture in a few other videos, making it his “thing.”
I can’t even begin to delve into his catalogue of outfits; they’re all fake, third world sporty genius—my favorite kind of sportswear. The video ends with Costuleta riding a bicycle and quickly cuts to him rollerblading through a mall!
Speechless? Join the club.