Lafayette Anticipation associate curator Anna Colin talks to artist Tyler Coburn about Ergonomic Futures, a speculative project engaged with art, design, science, anthropology and writing. In this interview, Coburn discusses the research, production process and network of collaborators of a multilayered project ultimately concerned with the futures of humankind. Anna Colin: When one comes across your museum seats Ergonomic Futures (2016—) in contemporary art exhibitions—and soon in natural history, fine art, and anthropology museums—they look… [read more »]
Some of Palomino’s projects emerge as creative actions in the face of current situations that demand urgent reflection, resolution, and hopefully, transformation.
Architectural installation at the ancient Christian church of Saint Lucia. The space is completely occupied by a big metal fence lit around with green floodlights. There is a corridor around the fence one and a half meters wide. The audience finds its natural movements conditioned inside the art gallery. The social and cultural function of the art space is questioned in terms of perception and movement. Iniciarte Contemporary Art Space Seville, Spain.
A double channelled video installation. Five individuals were invited to be interviewed on the issue of Working Conditions at the edge of Dun Aengus Cliff in the Island of Inish Mór, Ireland.
A big heap of cut paper placed by a paper recycling container. The heap is so huge and overwhelming that it’s not possible to fit in the container. The mountain of cut paper is the result of cutting 10,000 posters of the Universal Declaration of Human Rights (1.948) with a shredder machine. Outdoor installation Seville, Spain.
An 8 centimeter diameter golden ring was buried inside a water pit on the hillside. Located inside the pipe that brings water from the pit to an outdoor pool. Sierra Art Center, Santa Ana la Real, Huelva. Spain.